These novels stand just slightly off the beaten path awaiting discovery, yet when the right audience stumbles across them and begins to unravel the myriad threads Levenda has woven throughout, a devoted and multi-faceted fanbase will emerge. I’d snatch these hardcovers while you can.
I’ve been eagerly following the progress of ELDRITCH TALES for a long time. I feel we need an RPG such as this for the Mythos market. Joe Salvador, IMHO, has hit that fabled Goldilocks spot OSR gamers live for. Just enough rules to provide guidance when needed yet not so many they entangle the GM or the players.
To read The Searching Dead is to relax comfortably in the knowledge you are in the presence of a master storyteller at the apex of their craft, one who has studied and absorbed the works of past masters and brings those insights to bear with a thoughtful dignity.
THE SCARLET SOUL is a testament to the love and dedication Swan River Press put into their craft and they should be applauded for the physical allure alone. This is a book one can see becoming an heirloom object. My advice would be to snap up a copy of The Scarlet Soul while they are still available and keep an eye out for future releases by Swan River Press, while their price range is affordable their books are imminently collectible.
I closed THE HOUSE OF SILENCE with a grateful sigh, knowing I would pull it from my shelves again and again with the eagerness I greet a long-lost friend.
It is often a shopworn and tired cliché to say in the wake of one’s passing, “there will never be another like him,” yet in the case of Mark E. Smith there is indeed a perilous chance this statement will bear true. In this milieu it is not hard to imagine the loss of yet another long-standing English tradition.
With WILLIAM HOPE HODGSON: VOICES FROM THE BORDERLAND Hippocampus Press once again proves why they hold such an esteemed position within the world of weird fiction. As I continue through their Library of Criticism I am continuously impressed with the rigorous standards of scholarship, craft and dedication evident within each volume.
I recently had a conversation with a friend where we discussed the idea that terror is the emotion one feels preceding an event and horror is the emotion one feels witnessing the effects of that event. Gafford employs both to devastating effect within Whitechapel, building a foreboding sense of malaise and then, most importantly, delivering when called upon.
Read Dead Corpse for the wonderful fiction and let its deeper truths settle into your soul.
Jac Jemc’s writing conveys the easy grace and simplicity achieved through years of work, sweat and toil that causes onlookers everywhere to say, “Well that looks easy, I bet I could do that,” after watching a championship athlete or performer at work.
UNIVERSAL HARVESTER makes one understand prey animals that stand absolutely still as their doom descends — yet all the while as you are experiencing that slow sense of mounting dread and menace you cannot identify, there is still that all pervading wise and reassuring voice.
That’s what I love about the Lovecraft mythos – a book, a painting, a sodding colour that can break you and I think the Yellow mythos really concentrates on that.
The pleasure of watching both a stylistic and an intellectual force emerge and take shape provides its own enjoyment. However the jouissance one derives from reading Barlow’s later tales, where he mastered the alchemical marriage of fascination and dread in such exquisite proportions that a single tale keeps his name alive…
“Calls for Submission” is more than a collection of short stories. It is the showcase of a writer with a deliberate and considered world view, intensely honed craft, and a calculated message.
Steve Bean has created a game that does exactly as described on the tin. A perfect one shot game that plays in 3 to 5 hours, it hews true as an homage to the vision of Mac George’s Black Sun DeathCrawl while carving out its own unique territory and vision.