The hyperspace viewer shows a flowing plane
of treebark, roots; a distorted approximation
of what we aren’t permitted to see. Clearing again
with each rugose transformation,
limited by the speed of post-quantum rendering,
the map of our passage grows:
an icebound dimensional lake thaws, remembering
the hot pulse of its creation, shows
the palpable vestiges of times, energies and matters
through which our wake will trace.
The reflection of our ship shimmers, spatters
light back to streaming stars. We race
onward, out to where no atmospheres and skies
of planets can frustrate our vision;
the provocation of empty black where no suns rise
unbearable without acquisition.
Particular silence surrounds us like a felt of absence,
itself the sinuous, tentacular touch
of a void-god whose cult is abstinence,
who meditates on dark too much—
those distances between the stars and galaxies—
and has a singular affection
for black holes and cosmic fallacies…
Sometimes we overreach. Each direction
(up? down? sideways?) seems different now;
our ship’s brain’s blocked—no ability
to calculate location. We tell it to go back: how—
why these results? We’ve lost mobility,
it says; the only options are charm and strange.
We clear its cache, then re-install the route.
On the viewscreen, no known space in range;
nothing but the false stars of snow. About
fifty-six hours in, the background gigahertz hiss
of relic radiation is finally broken:
our A.I. transmits a mad-dog growl. Something’s amiss.
What does it mean? Unspoken
fears flicker on our faces like shadows cast
by entities we feel but cannot see,
leaving invisible tracks across the vast
cosmic chasm, preceding one more tangibly
manifesting. A small silver embryo afloat
in amnion of atrament, our ship
is dwarfed by tentacles of terror. We’re but a mote
in the eye of a demonic god, a blip
cascading down through superimposed dimensions
to our doom, where something pines
beyond a threshold, longs to enter our attention—
and hungers for the taste of human minds.
Our Earth’s a pale blue memory, a ripe prize
to harvest; our civilization will revert
to a predawn whence no human can ever rise.
The God Void sits in judgment—but won’t convert
one soul. Its vastness grows, membranous and bloody,
slithers back into the open portal of a queer
dwelling where it withdraws to sleep, and let the muddy
waters of vacuum clear.
F.J. Bergmann writes poetry and speculative fiction, sometimes horribly, that has appeared in Apex Magazine, Black Treacle, Eschatology, Horror Garage, Spectral Realms and a bunch of regular literary journals that should have known better, and is the editor of Star*Line, the journal of the Science Fiction Poetry Association, and the poetry editor of Mobius: The Journal of Social Change.
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Story illustration by John Carlucci.
That was the best Lovecraftian poem I have ever read.
Wow! Great stuff! The bio pic is nice as well.